Press Reviews and Photos...
please feel free to use any of these photos and press cuttings for publicity purposes.
Emma Fisk's Hot Club du Nord @ Sage Gateshead - June 29Emma Fisk (violin); James Birkett. Dave Harris (guitars); Bruce Rollo (bass).
(Review by Lance/photo courtesy of Russell).
From the opening bars of Honeysuckle Rose to the final J'attendrai the magic unfolded, taking us back to the days when Django and Stéphane were the toast of Paree. Last night, Emma Fisk and her Hot Club du Nord were the toast of 'Gatesheed'. Yes, the well-attended Sage Two audience showed their approval in no uncertain manner - and so they should, it doesn't get much better than this.
Fisk displays amazing control, Emma doesn't play the violin, the violin is as much a part of her as the hand holding the bow or the fingers that move with such dexterity up and down the fingerboard. Total mastery (if that isn't a gender contradiction!)
Flanked by Birkett and Harris thrashing away on their Maccaferri guitars, and Rollo slapping bass with a gentle subtlety this was gypsy jazz/swing at its finest. However, unlike the original where Django soloed and the other two guitarists played rhythm James and Dave alternated solos to offer contrasting sounds. The former, smoother toned whilst still keeping within the spirit of the music, the latter harder, more metallic sounding. Both ace players blending well together.
No surprises in the repertoire, we knew what to expect and we got just that although it was nice to have a reference to Oscar Alemán, the Argentinian guitarist many rated above Django. It was all great stuff but, for me, the absolute standout out number was A Nightingale Sang in Berkeley Square dedicated by Emma to her late father. A pin drop moment.
As we left I couldn't help but feel a little patronising towards those folk who'd opted for the B52s in Sage One - if they only knew what they'd missed!
Lance.
"Rarely can the King’s Hall have seen a crowd like this. All seats taken, it was standing room only at the back of the hall and down either side, some sitting on the floor. They were there to hear Emma Fisk’s Hot Club du Nord. The quartet recently played a debut concert at Blaydon Jazz Club, evidently, word got around, this is one band you’ve just got to hear.
Nine numbers in fifty minutes, solos receiving rapturous applause, ‘Vivre le Hot Club!’ Violinist Fisk asked the audience if they were fans of Django and Stéphane. A forest of hands shot up. One nil to Hot Club du Nord. Coquette for openers, the bewitching I’m Confessin’ – Fisk magnificent – and Django’s Belleville. Guitarists Dr James Birkett and Dave Harris (Newcastle University’s programme notes according him his Sunday name – David) shared rhythm duties as one or other took off on fabulous solo flights. The man at the back, Mr Bruce Rollo, slap bass exponent par excellence, surveyed the scene, taking it all in his stride.
Fisk dazzled some more on I’ve Found a New Baby (comp. Palmer-Williams) as diffident music students suddenly ‘got it’. Hollers, whistles, they were into it. McHugh and Fields’ Exactly Like You is something of a masterwork in the hands of Cécile McLorin Salvant or Mello Baku, and, as an instrumental, Hot Club du Nord. Minor Swing never fails, despite, as Fisk said, the tune isn’t really a tune, more a series of three arpeggios. No matter, it’s a must in a Hot Club session. To close, before students dashed to their afternoon lectures, a sure fire winner: Lady Be Good. World class musicians on stage in Newcastle upon Tyne. "
Kings Hall, Newcastle University, Russell, Bebop Spoken Here
"Overlooking the Tyne, the Black Bull on Bridge Street became a Hot Club of the North for one night only. Django and Stephane the inspiration, violinist Fisk’s new quartet is destined for stardom, or, at the very least, a full diary of engagements up and down the land. Coquette, Charleston, I’m Confessin’ – the opener a classic, Charleston, a surprise, I’m Confessin’, magical with Fisk’s virtuosic intro.
"Historic recording sessions and arrangements peppered Fisk’s informative introductions. Birkett’s take on the 1936 gem Oriental Shuffle a delight, Minor Swing (Fisk suggesting they had to play it!) with staggering solos from Fisk and Birkett and the 1938 recording of Daphne revisited. Great musicians make it look easy. Nuages, then Swing 39 were as good as it gets. And there was more…Limehouse Blues and the showstopper Dark Eyes to end a marvellous evening."
Blaydon Jazz Club, Russell, Bebop Spoken Here
"There are few more joyous sounds than that of the sweet jazz violin and Emma Fisk plays the intricate lines once played by Stephane Grappelli masterfully, but with her own musical identity."
Burton Agnes Jazz and Blues Festival, Reviewed by Paul Spencer and David Wright
"Emma once again astounded me with her exciting solos except this afternoon she moved up a gear! Not only did she swing like the proverbial but she did it whilst simulating Stuff Smith and Eddie South, no easy task! With Jeff Barnhart on piano (and vocal on You'se a Viper) Emma gave a demonstration of jazz fiddle that, for me, was a festival highlight - perhaps the festival highlight!. In particular, the final number Stuff Smith's Skip It made me glad I hadn't skipped this one! Oh yes and she can front a band! Emma's introductions were both witty and informative."
Lance Liddle, Review of Whitley Bay Classic Jazz Party
(Review by Lance/photo courtesy of Russell).
From the opening bars of Honeysuckle Rose to the final J'attendrai the magic unfolded, taking us back to the days when Django and Stéphane were the toast of Paree. Last night, Emma Fisk and her Hot Club du Nord were the toast of 'Gatesheed'. Yes, the well-attended Sage Two audience showed their approval in no uncertain manner - and so they should, it doesn't get much better than this.
Fisk displays amazing control, Emma doesn't play the violin, the violin is as much a part of her as the hand holding the bow or the fingers that move with such dexterity up and down the fingerboard. Total mastery (if that isn't a gender contradiction!)
Flanked by Birkett and Harris thrashing away on their Maccaferri guitars, and Rollo slapping bass with a gentle subtlety this was gypsy jazz/swing at its finest. However, unlike the original where Django soloed and the other two guitarists played rhythm James and Dave alternated solos to offer contrasting sounds. The former, smoother toned whilst still keeping within the spirit of the music, the latter harder, more metallic sounding. Both ace players blending well together.
No surprises in the repertoire, we knew what to expect and we got just that although it was nice to have a reference to Oscar Alemán, the Argentinian guitarist many rated above Django. It was all great stuff but, for me, the absolute standout out number was A Nightingale Sang in Berkeley Square dedicated by Emma to her late father. A pin drop moment.
As we left I couldn't help but feel a little patronising towards those folk who'd opted for the B52s in Sage One - if they only knew what they'd missed!
Lance.
"Rarely can the King’s Hall have seen a crowd like this. All seats taken, it was standing room only at the back of the hall and down either side, some sitting on the floor. They were there to hear Emma Fisk’s Hot Club du Nord. The quartet recently played a debut concert at Blaydon Jazz Club, evidently, word got around, this is one band you’ve just got to hear.
Nine numbers in fifty minutes, solos receiving rapturous applause, ‘Vivre le Hot Club!’ Violinist Fisk asked the audience if they were fans of Django and Stéphane. A forest of hands shot up. One nil to Hot Club du Nord. Coquette for openers, the bewitching I’m Confessin’ – Fisk magnificent – and Django’s Belleville. Guitarists Dr James Birkett and Dave Harris (Newcastle University’s programme notes according him his Sunday name – David) shared rhythm duties as one or other took off on fabulous solo flights. The man at the back, Mr Bruce Rollo, slap bass exponent par excellence, surveyed the scene, taking it all in his stride.
Fisk dazzled some more on I’ve Found a New Baby (comp. Palmer-Williams) as diffident music students suddenly ‘got it’. Hollers, whistles, they were into it. McHugh and Fields’ Exactly Like You is something of a masterwork in the hands of Cécile McLorin Salvant or Mello Baku, and, as an instrumental, Hot Club du Nord. Minor Swing never fails, despite, as Fisk said, the tune isn’t really a tune, more a series of three arpeggios. No matter, it’s a must in a Hot Club session. To close, before students dashed to their afternoon lectures, a sure fire winner: Lady Be Good. World class musicians on stage in Newcastle upon Tyne. "
Kings Hall, Newcastle University, Russell, Bebop Spoken Here
"Overlooking the Tyne, the Black Bull on Bridge Street became a Hot Club of the North for one night only. Django and Stephane the inspiration, violinist Fisk’s new quartet is destined for stardom, or, at the very least, a full diary of engagements up and down the land. Coquette, Charleston, I’m Confessin’ – the opener a classic, Charleston, a surprise, I’m Confessin’, magical with Fisk’s virtuosic intro.
"Historic recording sessions and arrangements peppered Fisk’s informative introductions. Birkett’s take on the 1936 gem Oriental Shuffle a delight, Minor Swing (Fisk suggesting they had to play it!) with staggering solos from Fisk and Birkett and the 1938 recording of Daphne revisited. Great musicians make it look easy. Nuages, then Swing 39 were as good as it gets. And there was more…Limehouse Blues and the showstopper Dark Eyes to end a marvellous evening."
Blaydon Jazz Club, Russell, Bebop Spoken Here
"There are few more joyous sounds than that of the sweet jazz violin and Emma Fisk plays the intricate lines once played by Stephane Grappelli masterfully, but with her own musical identity."
Burton Agnes Jazz and Blues Festival, Reviewed by Paul Spencer and David Wright
"Emma once again astounded me with her exciting solos except this afternoon she moved up a gear! Not only did she swing like the proverbial but she did it whilst simulating Stuff Smith and Eddie South, no easy task! With Jeff Barnhart on piano (and vocal on You'se a Viper) Emma gave a demonstration of jazz fiddle that, for me, was a festival highlight - perhaps the festival highlight!. In particular, the final number Stuff Smith's Skip It made me glad I hadn't skipped this one! Oh yes and she can front a band! Emma's introductions were both witty and informative."
Lance Liddle, Review of Whitley Bay Classic Jazz Party
